October 18, 2014

Nazca Lines, Ancient Aliens, and Recent Appearance on Earth Ancients





I would like to address some of the emails I have received after my guest appearance on Earth Ancients Radio. Apparently, I ruffled a few feathers when I gave my opinion on both Ancient Aliens, the program, and the Nazca lines.


On the show, I expressed my view that the Nazca lines were not extraterrestrial runways. I stand behind this statement. Here is the thing. We, in the alternative field (yes, I include myself), cannot be hypocrites. We cannot do to each other what the mainstream does to itself.

In the mainstream, if a professor has an alternative point of view on a subject and refuses to march in lockstep with his colleagues, it is not unusual for him/her to get flak. At worse, it can mean a loss of tenure or even total ostracization and humiliation. We look at that and think, “How unfair and impetuous!” Academia should foster free and critical thinking, as well as discourse.

If we want to legitimize our claims, as independent or alternative researchers, we must not fall into the same groupthink tendencies as the mainstream. We cannot espouse open-minded inquiry while keeping a closed mind and a tight grip on our own beliefs. Belief is in the dominion of religion while knowledge is in the dominion of science. We need to be guided with open hearts and minds while keeping a firm grip onto the tools that can bring us closer to truth; tools such as the scientific method, fact-checking, discourse, debate, technology, first-person accounts, and so on.

Personally, I believe in the existence of extraterrestrial life, even intelligent life. I also believe in the possibility of interstellar travel. I am even open to ideas about visitation. I know that there have been things in life I would have never believed but since embarking on my quest to uncover the truth about ancient mysteries, my eyes have been opened to truths that I never thought possible. I have had to rethink everything I thought I knew about human history. That being said, it is unfair to lable someone “pseudo” for supporting alternative theories, such as ancient technology. It is equally unfair to label someone “mainstream,” simply because they do not believe that the Nazca lines are runways for extraterrestrial craft.

Here is my position on the Nazca lines. They are amazing, beautiful, and damned mysterious! However, there are a number of interesting and plausible explanations for them, of which we will likely not prove, as is the case in archaeology since it is still a social science. My personal favorite theory, the one I mentioned on air, was proposed by a researcher named, Henri Stierlin. Stierlin believes that the Nazca people used the line-system as loom. In the Paracas culture textiles were made using a single, unbroken string. However, the natives did not have wheels and looms (so we believe), so they may have organized hundreds of men to hold the string. Their individual positions were defined by the lines. They would walk up and down the lines not only to make giant textiles, but also as offerings to what they believed to be mountain gods. All though Stierlin is an educated man and arguably part of the mainstream, his theory is also seen as fringe. In his case, would it be better for him to deny his theory in order to fit in with the mainstream, or claim that only aliens could have been responsible for the Nazca lines to fit in better with the alternative crowd? I do not want to be part of a system where we only have one of two choices. This is why, even politically, I am an independent, There are more than only two ways!

Incidentally, there is an interesting artifact that supports this loom theory. It is sometimes referred to as the "Great Cloth," an enormous Nazca burial cloth that measured about 100 feet long. It is likely that no ancient loom could have made this, however, it is known that the Nazca culture had walked the Nazca lines in ceremonies and, to this day, work in enormous groups activities to reach a common goal.

Another myth about the Nazca Lines, is that they can only be seen from the sky. This, is not true, as they were discovered before the advent of flight by people on foot. They can still be viewed from the mountains. You do not need to fly over them to see the lines. Now, it is true that some of the lines may be less visible from the mountains, but those less visible designs have also been found in smaller form on ancient women textiles, meaning, the Nazca people had the patterns and could have easily scaled it up to a much larger proportion. This would mean that the Nazca people were pretty advanced and would have had an understanding of math in order to scale these designs. The Nazca people were intelligent. They were not animals incapable of functioning without the aid of paternal extraterrestrial beings. In fact, there are ancient complex aqueducts and well systems in almost perfect condition which are still used to supply the city today. This is indicative of a once great society.

Sometimes, in searching for the unknown, people forget to give credit to the ancients. I believe that we have much wisdom to learn from studying the ancients.

Now, as for the program Ancient Aliens, let me just say that the production company behind the show is filled with amazing people. They were wonderful to work with. However, the show is entertainment. I support Ancient Aliens, in that they spur the imaginations of people and expose them to important questions and ancient mysteries. Nevertheless, it is irresponsible to watch the show and believe that you are being educated with facts. I like to refer to this type of programming as “edutainment.” It is fun, and if it ignites a spark of curiosity in someone which leads them to learn more through further research, then I think it is awesome! To judge the show on its scholarly merits is foolish because it is not a scholarly endeavor. This is not to suggest that the production teams do not do their research, because I know first-hand that they do, but at the end of the day, it is a for-profit television show. It is the responsibility of the viewer to decide what to think. 

My only real problem with the program is that, as the seasons have passed, the content has become more and more outlandish and repetitive. It has come to a point where many people see it as a joke and now associate all forms of alternative inquiry with the general thesis, “If we cannot explain it, then it must have been aliens.” This is dangerous. It is dangerous to all of the hard working independent research whom are not profiting, rather, they are losing money, trying to fund their own research into ancient history. By essentially branding all alternative archeology as just “Ancient Aliens Stuff” (a phrase I have encountered more than once), it is causing a lot of amazing research to be left by the wayside.

Watch, enjoy, and even benefit from Ancient Aliens, just as you would a nice glass of Merlot. Just don’t kid yourself into believing it is water or else you will find yourself drunk and still desperate to quench you thirst.  

To those who wrote me emails about the Nazca lines, thank you, and please send me what you feel is the most convincing evidence that the Nazca lines were U.F.O. runways because I want to believe. I promise to look at the evidence with an open mind and email you back. Maybe you can teach me something. I love it when my mind is blown! It wouldn'e be the first time a listener or reader has contacted me with mind-blowing information that has redirected my research. I believe we are all here to learn from each other. 


To those that tuned in to Earth Ancients Radio today, thank you for listening. I look forward to the next opportunity I get to spend time with all of you, which will be Monday, October 27th on EPIC Voyages for their Halloween show, where I will be discussing Evil Archaeology. I will be posting more details soon. 


Until then, keep digging!




October 15, 2014

Pazuzu: Mesopotamian Demon from 'The Exorcist' and NC Couple Arrested for Cannibalistic Murders

The man in khaki prowled the ruins, The Temple of Nabu. The Temple of Ishtar. He sifted vibrations. At the palace of Ashurbanipal he paused; then shifted a sidelong glance to a limestone statue hulking in situ: ragged wings; taloned feet; bulbous, jutting, stubby penis and a mouth stretched taught in feral grin. The demon Pazuzu.1.





In my current project, Evil Archaeology, the demon Pazuzu is featured prominently on the cover. Some may recognize this demon from the novel and film, The Exorcist, both of which open in Iraq at an archaeological excavation. At the site, (which is currently at risk from ISIS), a priest feels strong southwesterly wind blowing, foreshadowing the arrival of Pazuzu, demon of the southwestern wind and bearer of storms and drought in Assyrian and Babylonian mythology.


In my upcoming book, I am investigating the archaeological record for artifacts and evidence of evil entities. I am examining the history and lore behind real relics, believed to be haunted or possessed. I am also looking at demonology and document how many of the ancient Mesopotamian demons and deities, like Pazuzu, have influenced Christian beliefs in demonic entities. I feature interviews and accounts from real exorcists.

As I have been putting the book together, one question keeps coming up. Are there ancient malevolent entities at work in our world today? This question was recently addressed in the form of a disturbing news report out of North Carolina.

Authorities say, a self-described Satanist, who legally changed his name to Pazuzu, allegedly told friends he had been eating parts of his victims’ bodies before burning and burying them in his backyard. Pazuzu Illah Algarad, born as John Alexander Lawson, told psychiatrists that he practiced a Sumerian religion that involved monthly ritual sacrifice of a small animal. Every month during what he called the “black moon,” he would make animal sacrifices to Pazuzu.



Pazuzu Illah Algarad, 35, (left) and his 'wife' Amber Nicole Burch, 24, were arrested and charged with murder after the skeletal remains of two men were discovered in shallow graves behind their home.
So far, two skeletons have been exhumed from the backyard of Pazuzu Illah Algarad and Amber Nicole Burch, whom he called his wife on Facebook. The couple have been held without bail while the Forsyth County Sheriff’s Office investigates whether more human remains are buried in the property.

Tonight, as I type this post, there is a very windy front coming in from the southwest. In the dark with only the light from a candle and my computer, I can’t help but feel a chill as I notice the wind whistle through the trees. Pazuzu, demon of the southwest wind, is he working in our world today? Certainly, this couple from North Carolina were 100% to blame for their heinous acts, but what or who was their professed inspiration? Pazuzu.

Inspiration, from Latin inspirare, meaning to breathe or blow into, the word was originally used to describe when a supernatural being imparts an idea to someone. What is possession but an evil spiritual entity, inhabiting a willing person, encouraging them to do evil things in the name of that demon? Although demons may not be tangible, or arguably even real, this recent criminal case leaves me questioning the criteria for demonic possession. Were these criminals simply suffering from psychological disturbances, or had the Pazuzu spirit found willing avatars to carry out his horrendous deeds? 

I will be considering this as I look into what it really means to be possessed in my research for Evil Archaeology. I am scheduled to meet with an exorcist for an interview in a few weeks. Maybe he will be able to shed some more light on this for me.


___________________

1. Blatty, William Peter. The exorcist. New York: Harper & Row, 1971.







October 2, 2014

Analysis of Strange Sumerian Dance Performed in the Louvre Museum



Warning: This video contains adult content. Viewer discretion is advised. 


Last year, the Louvre Museum in Paris featured this performance at one of its special evening events. The performance repeated continuously into the wee hours of the night. This dance was performed by les étudiants du conservatoire d'Anvers (students from the ARTESIS Royal Dance Conservatory of Belgium in Antwerp). It was designed by French choreographer Damien Jalet. With the help of Sidi Larbi Cherkaoui, Jalet created this strange dance repertoire of short performances, each of about fifteen minutes.

A few of the pieces really stuck out to me, like the first sequence called “Above head.” It was performed amid decapitated sculptures the Sumerian ruler Gudea. During the dance, someone brings back the spirit of a king who lost his head. He does this by having a Sumerian face drawn on his bald head. The intent was to make us feel that we were watching the decapitated head dance before our eyes.

Another was ,"The Evocation.” This dance was said to be inspired by a Sufi ritual based on the repetition of the word challah and the rhythm of the breath. It is a quite fitting title, as the very definition of evocation is the act of calling or summoning a spirit, demon, god or other supernatural agent. More often a term used in the Western mystery tradition, although not exclusive.

These strange scenes left some of the audience perplexed, one member saying that a particular sequence called, “Venus in Furs,” left her confused. Venus in Furs featured an intense mysterious veiled woman and the animal hybrid from which it originated.

In "Sin,” we see a somewhat erotic dance inspired by the myth of the primordial couple, or rebis; very esoteric.

"Venari,"was an interesting sort of primitive piece that seemed to imply hunting or sympathetic magic, perhaps a reference to Artemis, as well.

Yet another sequence, called "Daedalus,” was likened to the labyrinth created by Daedalus to enclose the Minotaur. This combination eluded to the loss of self in the other and suggests the inseparability of man from his animal side, which guides or dominates.

In addition to the video, here are some interesting stills, courtesy of the Louvre. What are your thoughts? Is this beautiful, intriguing, or just downright creepy?




...




September 30, 2014

Music and Mystery of Faith





Currently, I am listening to one of my favorite compositions while having a cup of tea. Please allow me the indulgence of sharing this piece, as well as a little background information.

This haunting and solemn composition, written by Gregorio Allegri, is a grand, complex, and emotive creation. This is not surprising, considering Allegri’s background. Born in Rome in 1580, he is related to the Italian Renaissance painter Correggio. Allegri worked as a priest at the cathedral at Fermo. He was also the resident composer and choral director. Allegri is described as often considered a model of how Christians should use their vocation to exalt God. Described as "a model of priestly piety and humility, a father to the poor, the consoler of captives and the forsaken, a self-sacrificing help and rescuer of suffering humanity" (Joncas).

Renaissance was a time known of innovation and the rediscovery of ancient Greek and Roman classicism not only in visual arts or architecture, but also music. Innovations, such as the development of vocal polyphony, can be heard to this day in Gregorio Allegri’s, Miserere Mei. The Miserere Mei is believed to have been written in the late 16th century, in Italy, though variations had been written in the 15th century. The song was used annual Easter celebration. One Wednesday and Friday, a special mass, attended by the pope, would start at 3AM, in which 27 candles were extinguished one at a time until only one remained. It was then, that the mass would culminate with the pope kneeling at the altar while the Miserere Mei was performed.

Allegri, not only wrote choral pieces, he is also credited for writing one of the earliest known string quartet. His most famous piece, the Miserere Mei, is written in a style known as polyphony. This is when a line of music is “stacked” by octave, creating a sense of depth in the music. Polyphonic hymns served to lift up the souls of Renaissance Christians. This is not unlike the goal of the dome of Basilica di Santa Maria del Fiore. However, Miserere Mei  is a more humble offering of creative vision, as is lyrically taken from Psalm 51, a Psalm asking God for forgiveness and differs to his greatness. Considering Allegri’s reported background and demeanor, it is no surprise that he would create an art that exhibits piety.

Allegri’s, Miserere Mei was shrouded in secrecy. The Vatican made it illegal to transcribe the composition and regulated when and where it could be performed. To break this law would mean excommunication from the Church. It is logical to surmise that the reason for this secrecy was similar to the reason behind the secrecy of Brunelleschi’s dome; to reveal the technical details would devalue the work, thereby making it "common." By making these works uncommon and irreplicable by the general public, their spiritual significance would be enhanced. This, after all, is important to a religion such as Catholicism whose own doctrine espouses and proclaims “The Mystery of Faith.” To what degree would faith be shattered if we knew how it all worked? What interest would be left? Mystery helps make something special.


It is, by far, my favorite piece of music. A perfect way to start the evening.






Fade to Black & Free Sumerian Controversy




Hey all you 'Fadernauts'! Tune in to Fade to Black on the Dark Matter Radio Network  tonight from 7-10pm PST (10pm-1am EST). I will be the guest, so tune in! Also, starting at midnight, The Sumerian Controversy will be available for free on Amazon.



http://darkmatterradio.net/

http://www.jimmychurchradio.com/





September 26, 2014

Latest Interview



Did you miss my latest interview on EPIC Voyages Radio interview Monday night? You can listen to it on the Dark Matter Radio Network tonight at 8:00PM EST on www.darkmatterradio.net.

I talk about The Sumerian Controversy, as well the follow up, Land of the Watchers. I even go into my current project, Evil Archaeology.

Don't miss it!